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Jenny Perlin

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Jenny Perlin

  • Films & Installations
  • Drawings, Photographs, Objects
  • BUNKER
  • THE HOOSAC INSTITUTE
  • THE BEYOND PLACE
  • About

The Long Sleepers (drawings, 2017)

455 drawings, ink on watercolor paper, each 4”x6”

Installation dimensions variable in size and number.

The Long Sleepers drawings are based on film frames from a 3-minute film 16mm I made called The Crystal King (2016). That film portrayed a tour through a show cave called Ohio Caverns, outside Columbus. Ohio Caverns has been leading people through winding underground paths ever since the late 19th century, when a farmhand fell into a sinkhole on a summer day and discovered the untouched rooms clustered with ancient stalactites and stalagmites. Later that same year the cavern was open for paying tourists to come gawk at the underground wonders.

I made the film and then begin drawing. As the film played, I paused whenever a frame appeared that looked intriguing. Then I tried to draw what I saw in simple silver and cyan ink. So there is a pattern in the way these drawings repeat, but no fixed system that they follow. The drawings reflect a subjective path worn through a landscape of repetition. The installation you see here represents a small grouping of the over 450 drawings in the series.

The Long Sleepers (drawings, 2017)

455 drawings, ink on watercolor paper, each 4”x6”

Installation dimensions variable in size and number.

The Long Sleepers drawings are based on film frames from a 3-minute film 16mm I made called The Crystal King (2016). That film portrayed a tour through a show cave called Ohio Caverns, outside Columbus. Ohio Caverns has been leading people through winding underground paths ever since the late 19th century, when a farmhand fell into a sinkhole on a summer day and discovered the untouched rooms clustered with ancient stalactites and stalagmites. Later that same year the cavern was open for paying tourists to come gawk at the underground wonders.

I made the film and then begin drawing. As the film played, I paused whenever a frame appeared that looked intriguing. Then I tried to draw what I saw in simple silver and cyan ink. So there is a pattern in the way these drawings repeat, but no fixed system that they follow. The drawings reflect a subjective path worn through a landscape of repetition. The installation you see here represents a small grouping of the over 450 drawings in the series.

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