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16mm, b/w, silent, 7:00, 2002
Rorschach is a 16mm black and white animated film which uses a laborious and intensive process of drawing to create a cyclical narrative of images and texts motivated by considerations of exile and displacement. A Rorschach test, judged poorly, can have terrible results, affecting a psychological assessment and the course someone's life might take. The banalities of an immigration document can mean whether or not a person can stay or leave a country that has become a new home. And even the most banal of texts, a fortune cookie, could be a motivation for someone to make life-changing decisions.
Rorschach ends with a fanfare of fortunes, followed by a sequence of receipt animations, documents of a specific life in a specific place between the now-historic months of September 2001 and December 2001, the end of a year we wish had not occurred, which imposed such drastic changes on mobility and civil liberties throughout the world.
Rorschach Drawings
Charcoal, graphite and ink on paper, 2002
16mm, b/w, silent, 7:00, 2002
Rorschach is a 16mm black and white animated film which uses a laborious and intensive process of drawing to create a cyclical narrative of images and texts motivated by considerations of exile and displacement. A Rorschach test, judged poorly, can have terrible results, affecting a psychological assessment and the course someone's life might take. The banalities of an immigration document can mean whether or not a person can stay or leave a country that has become a new home. And even the most banal of texts, a fortune cookie, could be a motivation for someone to make life-changing decisions.
Rorschach ends with a fanfare of fortunes, followed by a sequence of receipt animations, documents of a specific life in a specific place between the now-historic months of September 2001 and December 2001, the end of a year we wish had not occurred, which imposed such drastic changes on mobility and civil liberties throughout the world.
Rorschach Drawings
Charcoal, graphite and ink on paper, 2002
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